# |
Film Title |
Date |
Rating |
Frogs |
One Word |
|
1 |
Sleepy Hollow |
7 January 2000 |
80% |
|
Weird |
Buy! |
A most odd movie, Sleepy Hollow is funny a lot of the time
but has a few suspenseful and scary moments. Johnny Depp is great as the
highly peculiar young investigator, trying to be mysterious like Sherlock
Holmes, but really terribly uncertain of himself. Christina Ricci is
stunning as his co-star. A most amusing film, well worth seeing. |
2 |
Blue Streak |
11 January 2000 |
70% |
|
Opposites |
Buy! |
Funny cop comedy with a twist! Stars Martin Lawrence as a
thief who ends up masquerading as a police officer. |
3 |
Ordinary Decent Criminal |
14 January 2000 |
90% |
|
Brilliant! |
Buy! |
Excellent Irish crime drama starring Kevin Spacey (doing a
really surprisingly good Irish accent), Linda Fiorentino, Helen Baxendale,
and a whole bunch of local (Irish) actors. Michael Lynch (Spacey) is the
head of a group of Dublin thieves who do the 'jobs' nobody else dares
attempt. Lynch's ego is only satisfied by doing bigger and bigger 'jobs',
becoming more and more famous through a high-profile court case, and
becomes obsessed with having his fame live on past his lifetime like a
great master artist. He takes great satisfaction from out-witting the
Gardaí (the police), and the IRA who are trying to get a cut of
his operation. Somewhat like an Irish equivalent of
The Thomas Crown Affair. All-in-all,
the best Irish film I've seen. Definitely worth a trip to the cinema. |
4 |
The Bone Collector |
15 January 2000 |
75% |
|
Unpleasant |
Buy! |
Good thriller with a great cast headed up by Denzel
Washington and Angelina Jolie, both of whom are excellent. Very
difficult to predict; lots of misdirection. Clever plot with a bit of a
new angle on the crime thriller. A bit nasty at times, but really well
worth seeing if you're not too faint-hearted. |
5 |
Bringing Out the Dead |
20 January 2000 |
70% |
|
Insanity |
Buy! |
A most unusual movie, I can't think of a single character
who wasn't on or, moreso, over the edge. Intelligent ideas lurk
beneath the insanity and that, along with an impressive cast list
(particularly notable are Nicholas Cage, John Goodman, Patricia Arquette
and Ving Rhames) and a lot of very funny dark humour, succeeds in making
this a really good movie, worthwhile seeing. Definitely a thumbs up for
Scorsese. |
6 |
American Beauty |
26 January 2000 |
95% |
|
Thoughtful |
Buy! |
American Beauty is a highly intelligent movie with a
clever balance of humour and seriousness. Every major character has a
story, all of which are deftly interwoven, resulting in a touching,
wonderfully funny film. One might imagine that seven or eight stories
might crowd the plot of the movie, and yet American Beauty presents us
with them with ease, and without seeming rushed or overfull. Kevin Spacey
(as Lester Burnham) was truly brilliant as he always is; perhaps even
better than usual. In fact, the casting is flawless, especially the seven
or eight major characters Spacey as Lester, Annette Bening as
Lester's wife, Carolyn, Thora Birch as their daughter, Jane, Mena Suvari
(who played Heather in American Pie with great grace and skill) as Jane's
friend Angela Hayes, Wes Bently as Ricky Fitts, Chris Cooper as his
father, Colonel Fitts, Allison Janney as his mother, Barbara, and Peter
Gallagher as Buddy Kane. Quantum Leap fans also get the surprise of a
small rôle for Scott Bakula!
Through an unusual set of circumstances, I ended up being
given a couple of tickets to an exclusive preview screening (the release
date of American Beauty for the UK and Ireland is 4 February 2000) of
American Beauty. What a film! ... and to get to see it almost a week and
a half before the rest of the country, and free of charge... You can't
get a better deal than that.
This is a thoughtful, contemplative movie, a beautiful and funny movie,
and more than worthy of your time and money to go and see it.
|
7 |
Double Jeopardy |
29 January 2000 |
70% |
|
Deception |
Buy! |
Ashley Judd (known to all Star Trek fans as Ensign Robin
Lefler from "The Game", an episode of Star Trek: The Next Generation)
stars beside Tommy Lee Jones and Bruce Greenwood in this story of a
woman sent away for 6 years for murdering her husband who in fact faked
his death (this may sound like a spoiler, but it's revealed in every
trailer!). Through a rather silly legal loophole, it transpires that
since she can't be tried twice for the same crime she can now hunt him
down and kill him in broad daylight and walk away scott free. Ashley
Judd, who is greatly changed since her Star Trek appearance, carries off
her rôle with ease and style, and Tommy Lee Jones (perhaps getting
a little type-cast) is very good as always. Bruce Greenwood is very good
at being evil and switching in and out of a New Orleans accent
pretty much all his character calls for. A slightly weak premise, and
occasionally pithy scripting don't really take away much from this
movie. It's not a deadly serious intellectual movie, and isn't meant to
be. It's an enjoyable hour and three quarters at the cinema. |
8 |
Stigmata |
30 January 2000 |
60% |
|
Graphic |
Buy! |
With a cast headed up by three excellent actors, Patricia
Arquette (Frankie Page), Gabriel Byrne (Fr. Andrew Kiernan) and Jonathan
Pryce (Cardinal Daniel Houseman), it would be difficult to have made a
bad movie. While it was rather horribly graphic at times in depiction of
the nails being driven through hands and feet (done in short flashes, but
nonetheless very disturbing imagery) and I think it was
gratuitous it was nonetheless a good film. The plot is quite
clever if a little bit predictable, and anyone not from the Vatican will
probably find it enjoyable. The script is well written, and the acting is
excellent. Worth seeing, but beware, there are highly unpleasant bits as
mentioned above. I have marked it down in rating by 5 or 10% for the
gratuitous violence. |
9 |
The Limey |
3 February 2000 |
65% |
|
Revenge |
Buy! |
Cockney criminal Wilson (Terrence Stamp) arrives in
L.A. to avenge the death of his daughter who he believes was the victim
of a hit. Unusual, initially confusing visual style quite abstract yet
quite effective. Based as much in the mind of Wilson as in the events
in the world around him. Starts off very slowly and maintains mostly a
relatively ponderous pace, however not tedious. Several people left the
cinema in the middle very silly of them. Good if a bit eccentric
and probably appealing to a smaller audience than most. Definitely not
mainstream. |
10 |
Summer of Sam |
7 February 2000 |
60% |
|
Forgettable |
Buy! |
While Summer of Sam is unquestionably "good", it is not
really a movie which is likely to stay vivid in my memory. It contains
an intriguing study of a man driven insane by his tiny insect-infested
appartment and the neighbour's dog which never, ever shuts up, but in
fact most of the movie is about the effects of the killer's reign of
terror on the inhabitants of a fairly poor Italian neighbourhood of New
York. It does this rather well, and there are a number of sub-plots to
make things more interesting. The fact that a 142 minute film didn't
really seem terribly long says quite a lot for it. It obviously kept my
attention. The cast contains a few recogniseable faces, but only one big
name Mira Sorvino. Mira is somewhat disappointing in this film. I
think perhaps it was not the right rôle for her. Her make-up and
wardrobe is such that she doesn't look half as good as usual, and she
doesn't seem to give the part her best performance. Perhaps this is all
on purpose, and I am misinterpretting, but I think it was somehow
lacking. Overall, Summer of Sam gets a thumbs up, but is not the most
exciting film around. If you're a Spike Lee fan, you'll want to see it,
but it's non-essential viewing for anyone else not bad at all;
really quite good, but nothing terribly exciting. |
11 |
The Beach |
11 February 2000 |
65% |
|
Paradise |
Buy! |
Many have dismissed The Beach as a contentless DiCaprio
vehicle. I think there's more to it than that. The soundtrack is highly
evocative and the cinematography is stunning in places. The street scenes
are amazingly claustrophobic, conveying very cleverly the way Richard
feels at the time. Overall, I think the plot is fairly interesting and the
casting very good especially the lesser-known members of the cast,
notably Virginie Ledoyen and Guillaume Canet. It's an enjoyable two hours
if only for the music and cinematography! |
12 |
Toy Story 2 |
11 February 2000 |
95% |
|
Hillarious! |
Buy! |
Toy Story 2 is an absolutely side-splittingly funny movie!
If you can watch it without cracking up with laughter, you are unusual
indeed. There's a perfect mix of jokes for the kids and subtle humour for
the adults which will fly over the heads of all the kids. They've done it
again. Pixar have created a movie which the kids think is a kids' movie
and the adults know is more than that. The CGI is better than ever,
surpassing the imagery of both Toy Story and
A Bug's Life. Casting is
inspired, with such wonderfully recogniseable voices as Joan Cusack and
Kelsey Grammer added to the voices we know from the first movie. This is
joint best movie of the year (with American Beauty) so far! |
13 |
House on Haunted Hill |
12 February 2000 |
65% |
|
Scary |
Buy! |
I'm not a fan of horror movies at all, but House on Haunted
Hill was quite good. It was rather horrible in places and very scary indeed
(the scariest thing since Event Horizon, which
is saying a lot). Unlike Event Horizon, however, it is infused with humour
in many places. I would imagine that, if you are a fan of horror movies
or just like being scared, this is a movie you will rate highly. |
14 |
The Bachelor |
20 February 2000 |
65% |
|
Ludicrous |
Buy! |
I wasn't expecting a lot when I went in to see The Bachelor.
In fact, I feared that it might be truly terrible. I was not inspired with
a great degree of confidence by the fact that the star of the film is
sidekick boy himself, Chris O'Donnell. In fact, it was quite amusing. There
were some good jokes and quite a lot of very funny situations. It wasn't
brilliant, but it was a lot better than expected. On top of that, it
also stars the wonderful Renée Zellweger. |
15 |
The Talented Mr. Ripley |
26 February 2000 |
75% |
|
Disturbing |
Buy! |
The Talented Mr. Ripley is a movie which explores the mind
of a twisted and tortured character played by Matt Damon (expanding his
repertoire). He is not a pleasant character, and while the plot is intricate
and intriguing, the casting excellent (especially Gwyneth Paltrow and Jude
Law, but right across the board) and the scripting very good, I left the
cinema with mixed feelings about the film. It is very good indeed,
but not so enjoyable as Minghella's earlier film
The English Patient. |
16 |
Mystery Men |
27 February 2000 |
65% |
|
Juvenile |
Buy! |
Mystery Men is another of those movies which the kids all
think is for them but which has jokes which will only be noticed by adults.
It has several rather good actors in it including the obvious ones like
Geoffrey Rush, Greg Kinnear, Janeane Garofalo and Ben Stiller, but also
to be found in Mystery Men is Claire Forlani (Meet
Joe Black), in a surprisingly small part, and not even mentioned in
any trailers, posters, etc. It is very juvenile in places, but it's got
good jokes and a bizarre plot, and it really is rather a clever take-off
of superhero movies. |
17 |
Three Kings |
3 March 2000 |
80% |
|
Surprising |
Buy! |
From watching the trailers I was looking forward to a
humourous movie with plenty of good jokes, and overall a fun movie.
I wasn't expecting my mind to be excercised in the slightest! I was
surprised to find that, while Three Kings is humourous with plenty of
jokes, it's actually quite a serious movie in some ways. Parts are actually
completely serious. This was unexpected, but it was not negative. I enjoyed
the film, but it was not just mindless fun. The scripting is excellent and
the acting and directing quick, clever and stylish. |
18 |
Run Lola Run |
5 March 2000 |
85% |
|
Options |
Buy! |
Run Lola Run (Lola Rennt is the original German title) is
a lightning-paced German movie about a girl who must get 10,000 marks
(roughly $5000 US) within 20 minutes to save her long-term boyfriend's
life. It is hectic and frantic, and has a lot of energy as it goes through
three cycles each of which the same story but with Lola making
slightly different choices. It is a nice look at the idea that the tiniest
of choices can have huge effects (the branching universes idea; the
butterfly effect; etc.). Don't let the fact that it's in German put you
off. It is well subtitled (except for one or two places where there's
slight mis-translations, but they are of no consequence to the movie).
Lola Rennt (literally, Lola Runs) is an excellent movie, well worth seeing
whether you listen to the dialogue or read the subtitles (or a bit of
both!). |
19 |
The Green Mile |
5 March 2000 |
90% |
|
Miracles |
Buy! |
Tom Hanks stars with relative newcomer Michael Clarke Duncan
and a long list of great actors in this epic 3 hour 8 minute movie made
from a Stephen King novel. I had heard that The Green Mile was good but an
hour too long. What I found was far from it. The film has a relaxed, steady
pace, but in no way did it seem drawn out or overly long. In fact, I have
been to 90 minute movies which seemed longer than this. The three-and-a-bit
hours flew by as the plot and characters enthralled me. Truly
brilliant. |
20 |
The End of the Affair |
7 March 2000 |
80% |
|
Obsession |
Buy! |
The End of the Affair is widely held to be
semi-autobiographical despite Greene's rejection of the idea. Whether it
is or not, the movie is quite intriguing and the writing is unmistakably
Graham Greene's. That alone is enough to see that Jordan has put together
a faithful rendering of the novel. Ralph Fiennes, Julianne Moore and
Jordan-stalwart Stephen Rea all give outstanding performances, giving life
to a trio of very unusual characters. Fiennes plays Maurice Bendrix, the
Greene-analogue character, a thoroughly self-centred, hate-filled
character. He is not a likeable character, and yet through Feinnes' acting
and Jordan's directing (not to mention Greene's writing) we are made feel
that we can understand him, at least to some degree, and partially
identify with him. Moore plays Sarah Miles, the character trapped between
her predictable, reliable husband and her passion for Maurice Bendrix.
She is also a character who we cannot fully be comfortable with as she too
has a very selfish side to her, thinking only of her passion for Bendrix
and never of her husband, Henry Miles (Stephen Rea). Henry is kind,
considerate, virtuous; by far the most pleasant character, however he is
also a figure of contempt because of his excessive passivity which seems
slightly pathetic at times. |
21 |
Hurlyburly |
10 March 2000 |
75% |
|
Analysis |
Buy! |
Hurlyburly is a completely dialogue-centric film (more of a
transfer of a play to the screen than a movie) matched perfectly with a
cast of the best and most focused actors in the business. It does not have
a plot so much as an analysis. The characters, especially Eddie and Phil
(Penn and Palminteri), are in constant search of satisfaction for their
desperate need to understand life; to receive satisfaction for their
manic pleas for clarification. There are only two characters who are not
in a constant state of confusion and worry, Mickey and Donna (Spacey and
Paquin), and yet Mickey is cool to the extent of being cold, suggesting
that this is a defense mechanism, and Donna is a runaway who ends up
in a very dubious situation living at Mickey and Eddie's place (where
almost every scene in the movie takes place). Billed as a dark comedy,
the only comedy is edgy, uneasy quips by which the characters attempt to
lighten the load of their desperation. It is very dark, and the acting is
of absolutely the highest standard. I was initially surprised that a film
starring such popular actors as Spacey, Penn and Ryan could be released
only in one cinema, the IFC (Irish Film Centre) which specialises in
less mainstream films, however having seen it I am not surprised. A film
so completely based on dialogue and with such a dark and analytical nature
would not do well in a general release. |
22 |
The Insider |
11 March 2000 |
75% |
|
Truth |
Buy! |
The Insider is based on the true story of a tobacco company
executive (Jeffrey Wigand, played by Russell Crowe) who tries to blow the
whistle on the tobacco companies. The film is centred around his
relationship with a "60 Minutes" producer (Lowell Bergman, played by Al
Pacino) and the events which follow his decision. While it is at times a
bit slow moving, and it perhaps runs just a little too long, this can be
forgiven since it is attempting to bring a true story to the screen, a
rather more difficult task (to do it well and truthfully and yet still make
it interesting) than for a work of fiction. The acting is excellent, but
with Pacino and Crowe starring, that's to be expected! |
23 |
Superstar |
18 March 2000 |
60% |
|
Unlikely |
Buy! |
I had a glance through the reviews of Superstar on IMDb and
was surprised. Almost all were by self-professed SNL fans, and most were
quite negative. On the other hand, there were a good number of very positive
comments. I think, perhaps, only having seen SNL once or perhaps twice in
my life (it doesn't air here, and when it used to it was in the middle of
the night) actually let me appreciate it more. I found it very funny quite
a lot of the time (with quite a few lame gags too, but all the same overall
good). I particularly liked the stoned-seeming Jesus character. The reviews
which were negative about the film mostly stated points such as the gags
being old, overused, etc. To me they were not 'old', since I had never seen
them on SNL. I might hold a different view if I had seen them all
before. Weighing in at just over 80 minutes, it is a very short movie indeed
by today's standards, but it's probably about right. The plot and jokes
could not have carried it much further. |
24 |
Being John Malkovich |
19 March 2000 |
85% |
|
Bizarre |
Buy! |
Being John Malkovich is a highly unusual movie, a very
original idea, a most intriguing premise and the product of the idea
is a fast-moving and captivating plot with a hillariously funny script!
It is a Wonderland-like adventure into a truly bizarre world, especially
when Malkovich goes into ... well, Malkovich. Confused yet? I'm not
surprised. The casting is also brilliant, featuring John Cusack,
Cameron Diaz, Catherine Keener, Orson Bean and (surprise, surprise)
John Malkovich. This is one not to miss! |
25 |
A Clockwork Orange |
23 March 2000 |
70% |
|
Society |
Buy! |
A truly bizarre film by Stanley Kubrik. As usual, it's hard
to say whether Kubrick is a genius making profound arguments with great
subtlety or whether it's mostly meaningless and just for shock value.
Certainly better than Eyes Wide Shut, but with
a similar aim (seemingly) of shocking the audience. A Clockwork Orange
does at least have some overt social comments, but it's hard to know how
much of what Kubrick intended to get across is being caught. I have mixed
feelings about Kubrick's work in general. |
26 |
Girl, Interrupted |
25 March 2000 |
85% |
|
Sanity |
Buy! |
Girl, Interrupted is a charming drama about a girl sent away
(although ostensibly having signed herself in) to a mental institution in
the 60's. Winona Ryder (who doesn't seem to have aged at all over the past
ten years) and Angelina Jolie (with a hairdo which makes her look amazingly
different) lead an excellent cast, and they lead it with style! See it if
you haven't already. |
27 |
The Cider House Rules |
26 March 2000 |
85% |
|
Outstanding |
Buy! |
The Cider House Rules is a wonderful drama, full of heart.
Tobey Maguire is outstanding as Homer Wells, the character around whom the
story revolves, as is Charlize Theron as the beautiful and charming love
interest, Candy Kendall (I sense a pun involving an energy bar [Kendall
Mint Cake]). Michael Caine gives a performance which, except for the
abominable attempt at an American accent, is deserving of the Oscar he
received for it (and his Oscar acceptance speech was good too =). This
movie is a journey of self-discovery for Homer Wells, and it is touching
and subtle in spite of the fact that it deals with some pretty heavy
issues. The skill with which they are dealt with means that they do not
weigh down the film. Excellent! |
28 |
Any Given Sunday |
31 March 2000 |
50% |
|
Mediocre |
Buy! |
This movie is ultra-American. It is absolutely obsessed with
American football. It is hard to tell whether, overall, it is a damnation
or a celebration of the sport and the entire industry surrounding it. At
the same time as showing the repugnant side of the business and the game,
it seems to celebrate the warrior/gladiator hero aspect. To me, the way the
utterly horrific injuries (the eye bit in particular) are treated almost
as mundane and of lesser importance than winning the game is repulsive.
I'm not sure whether this is a deliberate negative depiction or whether
we're all meant to cheer them on for being such brave and wonderful folks
for letting the game go on. The best bits about this movie are Al Pacino
in his monologues, however he's not on top form here, and really the rest
of the movie is mostly a blur of repetitive American football fluff. It's
a pity that the movie isn't better. It has some really great people in it
(especially notable are Mr. Pacino himself, Cameron Diaz, Dennis Quaid
and James Woods), and they really deserve a better script. Then again,
maybe I'm missing the warm patriotic feeling that should be inspired in me
if I were an American and had been brought up with American football as a
national institution. |
29 |
Joan of Arc |
2 April 2000 |
65% |
|
Fervour |
Buy! |
While it wasn't too bad a film, I was expecting more. It was
rather thin on plot, to the extent that it was all a bit of a haze as to
which battle was which, and what rather minor plot-points occurred between
them. It's hard to say whether Milla Jovovich is totally overacting or
whether it's the director's fault... or if, in fact, it's true to how Joan
of Arc actually was. Anyway, it was alright but not great as an
entertainment. By the way, the title was different in the USA (as indicated
by IMDb and Reel.com). |
30 |
Lake Placid |
3 April 2000 |
80% |
|
Fun |
Buy! |
When I saw the trailers, I thought, "Oh no, not another awful
high-budget flop attempt at a scary movie with a low-budget plot!", but I
then heard that it was in fact intended to be a comic thriller/horror, and
was said to be very good... so I went to see it when it came out here. It
was all I'd heard. It really does what it sets out to do well. It's scary
in places (although the scariest bit in the movie turns out to be a beaver
-- you'll have to see for yourself!) and very funny often. It's also got a
cast lead by three actors who interact really well: Bill Pullman, Bridget
Fonda and Oliver Platt. Overall, great fun. |
31 |
Love's Labour's Lost |
4 April 2000 |
85% |
|
Surprising! |
Buy! |
Kenneth Brannagh has managed to do something really unusual
here. Not only has he uprooted a Shakespeare play and planted it in a
different time (this has been done, for example
Romeo + Juliet), but also he's turned it
into a musical. The surprising thing is that it all meshes so well;
Shakespeare's words, 30's musical songs and dance, and a wartime setting
with the Narator's part played by... of all things, propoganda newsreels!
Actually, there are other surprises in store in Love's Labour's Lost. One
is that Kenneth Brannagh can actually sing and dance well. By far the most
surprising thing, however, is that Alicia Silverstone, who was utterly
hideously pathetic in Batman & Robin was
actually very good indeed. She acted well, and can also sing and dance
with surprising skill. This is a great film for fans of Shakespeare or
of musicals, and it's full of laughs too! |
32 |
Rear Window |
5 April 2000 |
70% |
|
Clever |
Buy! |
This really is truly a very clever film. It has weathered
rather well, in spite of the fear element being slightly diminished in the
face of current thrillers. It is unusual in that almost the entire film is
set in L. B. Jeffries' (James Stewart) appartment, where he is confined by
a broken leg in a cast which has him in a wheelchair, with practically all
outside scenes seen as by him, with no sound other than what he hears from
across the square behind his appartment building. It is also a masterful
use of the unseen. Nothing concrete is ever witnessed directly, only
inferred. The showing was of a newly restored print of Alfred Hitchcock's
classic. |
33 |
Erin Brockovich |
9 April 2000 |
90% |
|
Brilliant |
Buy! |
I can't believe that Mr. Ebert (or so I hear) wrote this a
review where he continuously compared it unfavourably with A Civil Action.
A Civil Action was a film with potential which
totally flopped in the second half. Erin Brockovich is in a totally
different league! It's clever, got plenty of plot, a good script, great
casting and it's touching and funny. I'm sometimes dismissive of Julia
Roberts. I think she's turned in some pretty mediocre performances in
her time... but there's nothing mediocre about this one. She
stands out as bright as any star in this one, the full force of her
charisma coming through. Excellent! |
34 |
High Fidelity |
22 April 2000 |
85% |
|
Analysis |
Buy! |
This rather clever movie uses John Cusack wonderfully,
letting him loose on lots of narrative/monologues about his life (his
character, Rob Gordon's life, that is); past and present. Not only do
we have the inimitable John Cusack (so perfectly suited for his
rôle) in High Fidelity, but also we have surprise unadvertised
(at least not obviously) appearances from both his brilliant sister
Joan, Tim Robbins and Bruce Springsteen (huh? Yes, Bruce Springsteen...),
not to mention Catherine Zeta-Jones (and really, she's not terribly
worth mentioning in this movie). If you liked John Cusack's
self-analytical narrative in Grosse Pointe
Blank, you'll like this! |
35 |
The Virgin Suicides |
22 April 2000 |
85% |
|
Inexplicable |
Buy! |
Sofia Coppola's first directorial offering is more than
worthy! It was chosen to open the San Francisco International Film
Festival and it was not because of her dad (Francis Ford Coppola).
The tale is a very odd one, but it has been lovingly crafted into a
cinematically stunning and generally intriguing movie. James Woods
plays the part of ineffectual father very well, and Kirsten Dunst is
stunning; glowing as the appropriately named Lux. |
36 |
Frequency |
2 May 2000 |
80% |
|
Changes |
Buy! |
Frequency is really a very enjoyable movie once you get past
the slightly silly premise. The cast is excellent despite being mostly
unknown other than Dennis Quaid, always a good stalwart (who seems to be
undergoing a bit of a revival at the moment). It is exciting and touching,
thrilling and intriguing. The characters are well developed and the plot is
to be applauded for being enthralling -- suspending our disbelief where the
premise provides plenty to disbelieve. Well worth seeing. |
37 |
Romeo Must Die |
3 May 2000 |
75% |
|
Triad |
Buy! |
If you are looking for an enjoyable martial arts/action movie
with some well-placed humour, this is where to look. The fact that it has
Jet Li and Delroy Lindo in it should be enough to tell you it's probably
worth a watch, but Romeo Must Die combines great action and martial arts
with a charming Romeo and Juliet style subplot. It's not an
adaptation of Romeo and Juliet though, so don't go expecting one! |
38 |
28 Days |
9 May 2000 |
85% |
|
Rehab |
Buy! |
I really like Sandra Bullock. I think she was absolutely
wonderful in Speed (1994), While You Were Sleeping (1995), and
Forces of Nature (1999), but she is generally
considered to be a bit of a light-weight or perhaps just being who she
is, not acting. Based on what I'd seen before, I had to admit that this
was indeed a possibility. She was wonderful, but her characters were
all essentially the same. 28 Days shatters that illusion, and I'm happy
to see it shattered. Sandra Bullock turns in an excellent and very moving
performance as unlike her previous rôles as one could imagine. She
is supported by a wonderful and talented cast including many relative
unknowns but with a few well-known names like Viggo Mortensen and the
brilliant Steve Buscemi. 28 Days is a charming and moving movie. |
39 |
Where the Heart Is |
10 May 2000 |
70% |
|
Wal-Mart |
Buy! |
Natalie Portman and Ashley Judd star in a heart-warming
tale about a naïve, pregnant young girl abandoned at a Wal-Mart
in Sequoyah, Oklahoma, by her irresponsible white trash boyfriend.
It's a charming movie, filled with humour and pathos, jubilation and
disappointment. It is only occasionally a little bit slow. Perhaps not
for everyone, and it will be dismissed as a "chick flick" by many, it
is nonetheless most enjoyable. |
40 |
U-571 |
15 May 2000 |
90% |
|
Outstanding! |
Buy! |
A wonderful action-filled submarine movie starring Matthew
McConaughey, Bill Paxton and Harvey Keitel and set during the second world
war. It's an interesting counterpart to the ultra-modern, ultra-high-tech
Crimson Tide (1995) and, the ultimate submarine movie, The Hunt for Red
October (1990), both set in the present. The plot revolves around a group
of American submariners thrown into the middle of the side of the war
effort involving secrecy, intelligence, encryption and misinformation.
Their mission is to capture the Enigma machine and code books from a
crippled German submarine, U-571, and get it back to the allies without
the Germans knowing (for if they know, they will change their codes and
cryptosystem). Things do not go exactly as planned! Based loosely on
real events in as much as it is true that during the war effort the allied
war effort was being badly hurt by the destruction of their supply lines
in the Atlantic, and extreme measures were used to capture the Enigma
machine and to keep knowledge of its capture from the Germans. U-571 is
not factual, but it is a really good, exciting action movie. This movie
must be seen! |
41 |
Keeping the Faith |
18 May 2000 |
90% |
|
Bouyant |
Buy! |
What do you get when you put together a priest, a rabbi, and
the girl they both grew up with who returns home a hyper-successful
business-person? A charming upbeat romantic comedy with far more
substance than most in the plot department. Couple that with Edward
Norton, Ben Stiller and Jenna Elfman, and you have one hell of a film!
Hillarious and moving. Brilliant. |
42 |
Battlefield Earth |
20 May 2000 |
75% |
|
Rebellion |
Buy! |
The effects are pretty good, the acting's not bad, it's got a
good action-packed plot, and there wasn't any Scientolofy recruitment stuff
in it all definite pluses! More the fault of the director or script
writer than L. Ron Hubbard, perhaps, but not only does it have an awful lot
in common with Independence Day, but also they
insist on forcibly reminding you of the fact at terribly similar moments by
using almost exactly the same music! The first three quarters of a bar are
the same, and you keep expecting it to be ID4 music, but then they change a
note or two, presumably to avoid being sued for copyright infringement. All
that said, though, the pluses outweigh the minuses. It's a good, fun
movie. |
43 |
Dinosaur |
20 May 2000 |
55% |
|
Thin |
Buy! |
Disney's prehistoric offering for the summer is a bit
fosilised in its plot. The CGI is brilliant, ultra-realism at its best
most of the time, but while it's a wonderful piece of eye candy, that's
not enough to support a whole movie these days. The plot was a total
The Land Before Time rehash with just a few minor plot variations,
and the cute dinosaurs and cute simians aren't enough to make up for the
lack of substance. It is meant to be a kids' movie, and I guess the kids
probably enjoyed it. I'm perhaps too used to supposed kids' movies which
appeal greatly to all ages (e.g. Toy Story, The Lion King,
A Bug's Life,
Toy Story 2). Still, I had to see it for the
CGI anyway! |
44 |
Gladiator |
20 May 2000 |
90% |
|
Roman |
Buy! |
Gladiator is really a wonderful movie. It is action-packed
and exciting, and fills a long run-time without flagging at any point.
Russell Crowe acts to his usual high (non-melodramatic) standard, and the
plot's there to support him, along with a great cast. Well worth
seeing. |
45 |
Mission: Impossible 2 (M:I-2) |
26 May 2000 |
85% |
|
Action! |
Buy! |
Mission: Impossible (the first
movie; 1996) was a big disappointment, managing to be both boring and
confusing, but when I saw that John Woo was the director of M:I-2 and,
what's more, he specifically said that it would be less confusing than
the first movie, my hopes for the sequel increased hugely. It did not
let me down. It was one of the most action-packed movies I've seen in a
long time... and oh, what action. Woo is truly a master of the action
movie. The fight/chase scenes, stunts (supposedly done for the most part
without stunt men) and cinematography are breathtaking. The plot's easy
to follow and perfectly adequate for what is, after all, an action
movie. See it! |
46 |
Road Trip |
27 May 2000 |
60% |
|
Frat |
Buy! |
Frat house humour, but amusing frat house humour. It was
actually better than I'd expected it to be (I hadn't intended to see it
that day -- I missed the film I wanted to see,
Shanghai Noon, due to the train I was on being delayed),
but it's mostly quite forgettable. Not a bad no-brainer. |
47 |
Shanghai Noon |
5 June 2000 |
75% |
|
Chan |
Buy! |
Jackie Chan and Owen Wilson head up a cast in a comedy with
a bit of a new angle -- sort of a oriental/wild west cross-over story. The
trailers looked pretty mediocre, but I was told it was great so went to see
it. I enjoyed it greatly. It really is very funny, and Chan's meld of
martial arts and (often slapstick) comedy works very well. Chan and Wilson
also have a great on-screen rapport. I wouldn't hesitate to recommend this
movie to comedy fans. |
48 |
Small Time Crooks |
9 June 2000 |
75% |
|
Droll |
Buy! |
Actually, Woody Allen's latest offering is much more to my
taste than most of his films. It was really very funny indeed. Well worth
seeing; not just for Woody fans. |
49 |
Gone In 60 Seconds |
9 June 2000 |
90% |
|
Turbo-charged! |
Buy! |
Wow! What an adreniline rush. This is one action-packed
roller-coaster-ride of a movie you do not want to miss. The formiddable
cast (especially Cage, Jolie, Duvall and Lindo) augment a simple yet
clever plot (Memphis Raines (Cage) must steal and deliver 50 specific
cars within 4 days to get his kid brother off the hook with an evil
English guy (you can't go wrong with an evil English guy ;-) nicknamed
The Carpenter) and, well, just tonnes and tonnes of edge-of-your-seat
action. See it! I mean it. |
50 |
Boys and Girls |
17 June 2000 |
80% |
|
Charming |
Buy! |
The stunning Claire Forlani (Meet Joe
Black) once again graces the screen in this upbeat romantic comedy,
also starring Freddie Prinze, Jr. (She's All
That), in a rôle which starts out very different from his usual
fare, but becomes less so as the film goes on, and the inimitable Jason
Biggs of American Pie fame.
The trailers for the movie didn't do it justice at all,
focusing, as they did, on a rather irrelevant scene which is actually only
an end-credits gag. It is in fact a most enjoyable and charming movie with
many tasteful humourous moments and also moments to pull the heart strings.
Claire Forlani has immense charisma and screen presence as always, and
Freddie Prinze, Jr. is very creditable (and credible). Definitely one to
see. |
51 |
Shaft |
17 June 2000 |
75% |
|
Twangy! |
Buy! |
Who can possibly resist going to see what on earth they've
done to Shaft in modern movie form? Well, I couldn't. I thought the trailers
seemed a bit cheesy... but then I guess Shaft is meant to be a little
cheesy! Samuel L. Jackson is perfect as the hip and together cop who holds
justice above the law, rules or regulations, and stands up for what's right.
Interestingly enough, the same things which made him excellent in his part
in Pulp Fiction make him the perfect actor to play John Shaft. Complete
with that amazingly recogniseable theme tune (pretty much unaltered from
the original, which is unusual for modern movie versions of 70's movies
and TV series!), Mr. Jackson, some nice cheesy one-liners and a nice plot,
this is worthwhile seeing. |
52 |
Me, Myself & Irene |
24 June 2000 |
40% |
|
Low |
Buy! |
Funny in places, but too many disgusting moments, including
one image you'll want to forget, but will have difficulty dislodging from
your memory. |
53 |
Titan A.E. |
24 June 2000 |
60% |
|
Insubstantial |
Buy! |
A clever combination of animation, raytraced CGI, and loud
music, Titan A.E. is nice eyecandy, and quite fun, but really when you
get down to it not all that great. Fun mental distraction for a boring
afternoon/evening. |
54 |
Chicken Run |
25 June 2000 |
75% |
|
Amusing |
Buy! |
Funny claymation film about chickens in a rather grim and
terrifying (for them at least) chicken farm and their attempts to escape.
Full of references to wartime escape movies. Not as funny as Wallace and
Grommit, but worth seeing. |
55 |
The Perfect Storm |
12 July 2000 |
75% |
|
Exciting |
Buy! |
Full of computer-generated over-the-top waves, the effects
are rather impressive, the story quite exciting, and with some nice
characterisation and romantic themes, The Perfect Storm is a good film,
worth seeing, but not a must see. Needless to say, if you love George
Clooney, you'll want to see this, and if you hate him, you'll want to
give it a miss, but if you don't have strong opinions either way then
my recommendation stands. |
56 |
X-Men |
15 July 2000 |
70% |
|
Open-ended |
Buy! |
For somebody, like me, who had neither read the comic strips,
nor seen the cartoon, X-Men was a little confusing. It was full of all sorts
of characters who were not really introduced at all; it was assumed that
the audience knew all about them already. It seemed in other ways as if it
was made to be taken more as part of a bigger picture (sequels, eh?) than
on its own as a movie in and of itself. I would have been even more baffled
if not for the fact that my (wonderful, intelligent, beautiful, funny,
charming) girlfriend (ok, I'll stop now), who was familiar with the comics
and cartoons, was giving me occasional bits of information about who was
who and what was going on during the movie (normally, I prefer not to have
explanations during a movie, but they were welcome during X-Men!). The
effects were good, of course. The fights were, I'm told, "realistic" in
terms of the X-Men canon, if a little less than spectacular. The story
probably had more impact if you were familiar with the basis of the
movie. |
57 |
Scary Movie |
16 July 2000 |
20% |
|
Abominable! |
Buy! |
The trailers for Scary Movie are great. They're hillarious.
They heralded a great, funny movie to come. It couldn't be farther from
the truth!!! First of all, every single funny joke in the movie is
in the trailer. By seeing the trailer, you've seen all the good bits free
of charge. There's nothing more to see. Secondly, the film itself contains
some of the most crude and imbecilic humour ever to splatter against the
silver screen combined with some really vile and uncalled for imagery fit
to turn the stomach and make you want to be anywhere but in the cinema
watching the movie. This gets the accolade of "Second Worst Film of All
Time" from me. Don't see this movie. You will only know how much
you ought to thank me for this recommendation if you fail to take my
advice and subject yourself to the diabolical and sickening trash which
they're marketting as a funny movie. Ok, I'll get off my soap box now, but
keep in mind, let the buyer beware. |
58 |
Coyote Ugly |
6 August 2000 |
70% |
|
Surprising |
Buy! |
The trailers for Coyote Ugly were hard to judge. It looked
like it might be a fast-moving fun movie, but it was also hard to see where
a plot would fit into the picture (it was not in any way represented in the
trailer). In fact, Coyote Ugly has more than meets the eye. It isn't a bad
story at all, with a charming romantic theme, and the characters are not
one-dimensional. On top of that, it is indeed fun and fast-moving. |
59 |
Rules of Engagement |
12 September 2000 |
75% |
|
Legal |
Buy! |
Rules of Engagement is another military legal drama. Some
may have had enough with A Few Good Men (1992),
Courage Under Fire and
The General's Daughter, but I rather like a
good courtroom drama, especially if there's an interesting and difficult
case. Of those other three, Rules of Engagement is really most like
Courage Under Fire in that it is about an action
that occurred in battle, and there is a great deal of doubt as to whether
any crime was committed. In Rules of Engagement, we find out what really
happened quite early on, but the problem is lack of proof (including
vanishing evidence) to support the case of Samuel L. Jackson's character,
Colonel Terry L. Childers. Tommy Lee Jones, as Colonel Hayes Hodges, must
get him off the hook. |
60 |
Final Destination |
17 September 2000 |
75% |
|
Funny |
Buy! |
I don't think it was intentional, but Final Destination
manages to be really rather funny (through being over the top) while also
being quite scary at times. It builds suspense rather well; you know a
character is doomed, and you keep seeing what you think will kill them, but
it takes so long for it to actually happen, in some bizarre and unlikely
way you didn't think of. It's meant to be putting forward a theory that
if you cheat death and miss "your time", then there will be a huge impetus
for something to happen to you... but it's mostly just funny! A fairly
original plot overall, and some great effects. Worth seeing, for the laugh
as well as the fright. |
61 |
O Brother, Where Art Thou? |
22 September 2000 |
60% |
|
Slow |
Buy! |
This movie was quite different from what I was expecting. It
was pretty good, with some moments which were absolutely hillarious, but
also containing some fairly lame jokes, and the overall pace was a little
bit slow. Worth seeing, but not a must see. |
62 |
Snatch |
24 September 2000 |
80% |
|
Interwoven |
Buy! |
Much like Pulp Fiction (1994) and his previous film,
Lock, Stock & Two Smoking Barrels, Guy
Ritchie's latest offering presents a story filled with seemingly
unconnected (groups of) characters who all end up connected through
an ironic series of events, often hillarious. It certainly lives up
to the legacy of its predecessor. It's fast-paced, exciting and
hillarious. Some of the accents may be difficult for those across
the pond, and in fact probably the hardest to understand is,
ironically, played by Brad Pitt! Well worth seeing. |
63 |
Space Cowboys |
26 September 2000 |
70% |
|
Improbable |
Buy! |
Space Cowboys was good fun. Hugely improbable and in places
rather implausible, but in a way which didn't really detract from the
enjoyment of the movie. It's got a good cast, at least in the lead
rôles (some of the minor characters are a bit wooden...) and an
amusing story, plus good effects (good in that you don't even think about
them). |
64 |
Saltwater |
29 September 2000 |
85% |
|
Irish |
Buy! |
A very Irish film, despite BBC Films being the main
production company, Saltwater is really rather good. It focuses on
an Italian-Irish family who run a chip shop in some unnamed small
Irish town (but we see plenty of recogniseable scenes from the
region around Dublin including the unnamed college being
UCD). Hard times are upon them,
with the off-season meaning little custom for the chipper, and
the father, George, who has an irrational dislike of "the bank",
has a loan to repay to the local bookie, Simple Simon, who has
managed to get his finger into pretty much every pie in the town.
When the father asks for a break in payments "just 'til the season
picks up", Simple Simon 'suggests' that he become a partner in the
chip shop -- "Just for six months. Then I'm out." These
circumstances lead the elder son to desperate measures, and the
events following this, along side the story of the younger son, Joe,
falling in with a very unpleasant new boy at school who commits a
terrible crime which Joe witnesses, but has trouble coming to terms
with, constitute the major themes of the film. It's got a really
good story, excellent acting, and some laughs, and any Irish person
will identify with bits of it; indeed, it has some very down-to-earth
images of life, and probably anybody will identify with some of it,
being reminded of events in or peripheral to their own lives. The
hand of the BBC in this has not in any way diluted the genuine
Irishness of it. Well done. Well worth seeing. |
65 |
Hollow Man |
1 October 2000 |
70% |
|
Fun |
Buy! |
Utterly full of holes, but fun nonetheless. Kevin Bacon (aka
"Werepig" -- don't ask) plays a scientist who ends up terrorising the world
at large and his colleagues when he makes himself invisible. |
66 |
Nurse Betty |
2 October 2000 |
75% |
|
Unusual |
Buy! |
A rather unusual comedy-thriller (with a horribly
dodgy-sounding name, but in fact not at all so) about a housewife who, when
she witnesses her husband's brutal killing, experiences a strange form of
amnesia where she thinks her favourite soap star, a doctor played by an
actor played by Greg Kinnear (uh, yeah, that's right), is a real person,
who she is in love with and who she decides to find and live happily ever
after with. The actor is not the perfect guy that the character is (or at
least such is her view of the character), and throw in a couple of hitmen
chasing her across the country, and the plot thickens. The result is rather
an unusual and clever comedy-thriller with a great cast to pull it off. |
67 |
Where the Money Is |
6 October 2000 |
80% |
|
Heist |
Buy! |
A very enjoyable, charming, relaxing heist movie starring
the inimitable Paul Newman, Linda Fiorentino and, peripherally, Dermot
Mulroney. Well worth seeing. |
68 |
Blair Witch 2: Book of Shadows |
27 October 2000 |
70% |
|
Scary |
Buy! |
BW2 is a bit hard to rate. It was a little hard to
follow in places, and it had some rather superfluous elements, but it
was rather good, and it was rather scary. I think the first movie was
rather more original and cleverly done, but this is still quite clever. |
69 |
Bedazzled |
29 October 2000 |
90% |
|
Devilish |
Buy! |
A nice simple but ingenious idea woven into a clever plot
and wonderfully scripted... plus convincing acting, irresistible humour
and more. See it. Make sure to see it. |
70 |
Remember the Titans |
2 November 2000 |
80% |
|
Race |
Buy! |
A good cast led by the inimitable Denzel Washington bring
life to this touching story. The theme is race discrimination and about
people, individuals, seeing past that. This is more than just a political
piece, however. It is humourous, touching and poignant. Worth seeing. |
71 |
The Ladies Man |
2 November 2000 |
30% |
|
Abominable |
Buy! |
SNL yet again take some stupid gag character from the show
and inflate the already sketchy (no pun intended) idea to such an extent
that all the flaws are shoved right in your face. That is to say: maybe
it was funny in sketches, maybe not, but really... turning it into a
film? What's the story here? Mind you, it seems that they make money out
of this stuff... and in the cinema I was in, one hideously unintelligent
member of the audience could hardly control his laughter and kept
repeating lines and cracking up. Oh dear. Not worth wasting your time
over at all, unless you're that guy from the audience. |
72 |
Meet the Parents |
2 November 2000 |
75% |
|
Nightmarish |
Buy! |
How badly could things really go when meeting your
girlfriend's parents...? Well... this movie embodies quite an avid
imagination of how bad it could be. Thankfully, I've already met my
girlfriend's parents, or I think this movie might have scared me
significantly! De Niro and Stiller lead a convincing cast of familiar
faces in this very amusing romantic comedy. |
73 |
Pitch Black |
12 November 2000 |
80% |
|
Alien |
Buy! |
Sort of an Aliens-meets-mutant-Flipper-the-dolphin-with-wings,
Pitch Black is really a very good sci-fi thriller flick... and I'm kidding
about Flipper. A bunch of Australians have bad luck colonising the galaxy
when not only does their ship crash land on an unknown planet, but also
their cargo of vicious merciless multiple murderer ends up loose, and they
get attacked by swarms of vicious night-time sonar aliens. Ok, I'm being
sarcastic, but really it's just too easy to make jokes about. Despite being
amusing in so many ways, it's actually an excellent sci-fi thriller/horror
movie in the Alien vein with convincing effects (some outstandingly good),
not-bad acting, and a pretty solid story. Worth seeing. |
74 |
The Yards |
18 November 2000 |
75% |
|
Corruption |
Buy! |
Mark Wahlberg plays a young New Yorker just out of prison
for stealing a couple of cars who really honestly wants to wipe the slate
clean and make an honest living. A need to earn an immediate living and
an unwillingness on the part of him and of his mother to take any charity
from his uncle leads him to become embroiled in the darker side of the
family business. A good solid plot and excellent acting from Wahlberg
along with James Caan, Charlize Theron, Joaquin Phoenix and others. Well
worth seeing. |
75 |
Loser |
18 November 2000 |
80% |
|
Reassuring |
Buy! |
Jason Biggs, Mena Suvari and Greg Kinnear are all excellent
as always when they lead the cast in this funny and touching romantic
comedy which reassures us that the unpopular dorky guy really can get the
girl. |
76 |
Wonder Boys |
19 November 2000 |
90% |
|
Outstanding |
Buy! |
Michael Douglas, Tobey Maguire, Katie Holmes, Robert Downey
Jr. and Frances McDormand lead the cast in this wonderfully rich story
based around the lives of a middle-aged writer/professor, his affair with
his boss' wife, a brilliant young writer in his class/workshop, a female
student -- also a gifted writer -- who rents a room in his house, his
failed marriage, his editor, and ... well, really I don't want to tell
you any more. I could also say that it is a story about rediscovering
oneself, but then you'd think I was horribly pretentious like most critics,
so I'd better not. The acting is absolutely top-notch, with especially
notable performances from ... well, all of the actors mentioned above.
This is an absolutely excellent movie. See it! |
77 |
What Lies Beneath |
23 November 2000 |
80% |
|
Chilling |
Buy! |
An excellent thriller, What Lies Beneath is trully chilling
at times. The bath scenes will have you on the edge of your seat. Harrison
Ford as you've never seen him before. |
78 |
The Way of the Gun |
24 November 2000 |
75% |
|
Stylish |
Buy! |
In some ways a typical "commit a crime, find out you're in
deeper than you thought, run south of the border, get into a right mess"
flick, The Way of the Gun is nonetheless so much more than that. The
story is quite complex, and in particular the motives of all the different
characters (and every character has their motive and their goal) don't
become clear until the end, and perhaps not fully even then. On top of
all this, it's got some absolutely wonderful stylised gun fights. Well
worth seeing. |
79 |
Memento |
25 November 2000 |
75% |
|
Memory |
Buy! |
The whole film goes backwards. It's quite typical for a film
or a book or whatever to give you a look at the ending at the start, and
then work towards it. What makes Memento different is that it starts at the
end and steadily works to towards the start! It perfectly gives the effect
of putting us in the same boat as Guy Pearce's character, only able to
judge the current situation by the evidence now revealed to us. We get a
bigger picture as we find out what happened before, eventually gaining an
understanding of the ending when we reach the start. We are constantly
given a different understanding or interpretation of the facts, and must
revise what we know again and again. Nothing can be guaranteed to be what
it seems. Definitely worth seeing if you're in the mood for a film which
makes you think. |
80 |
Charlie's Angels |
25 November 2000 |
85% |
|
Fun! |
Buy! |
This movie is just plain fun. I mean, what more can
you ask for? Action, humour, and Drew Barrymore? Well, Bill Murray's very
good in it too, as are Cameron Diaz and Lucy Liu. Wonderful one-liners,
corny as hell (but it's meant to be!), and did I mention that Drew
Barrymore's exceedingly cool? My girlfriend and I wanted to see this movie
together, but unfortunately didn't have time while we were on the same
continent. Instead, she saw it with her family and I saw it with
friends. You should see it too. |
81 |
The Cell |
26 November 2000 |
50% |
|
Horrible |
Buy! |
The Cell is deeply psychological and very disturbing. The
imagery is most discomforting, and some scenes are gratuitously horrible.
There were bits I could not watch. The "bad guy" is truly scary. His mind
as represented in The Cell is deranged and twisted beyond belief. It makes
me wonder could the writer or director truly be sane. I cannot recommend
this movie. |
82 |
The Grinch |
3 December 2000 |
40% |
|
Disappointing |
Buy! |
I perhaps shouldn't say "disappointing" because I hadn't
really much in the way of hope for this movie. I went along against my
better judgement with some friends who wanted to see it. There were some
funny bits, but there was also a lot of cringe-inducing stuff, especially
the completely uncalled for singing of the dreadful little girl, Cindy
Lu. It was agreed by all present that the songs were hideous. Yet another
film turned into a Carrey vehicle. |
83 |
The Skulls |
5 December 2000 |
75% |
|
Subversion |
Buy! |
Really rather a good film about a college student who gets
tangled up in a very sinister secret society. Fun and not too terribly
mentally stretching! Just a little bit silly in places (especially the
rowing races... I don't know a lot about rowing, but hell even I can pick
masses of holes in their representation; in fact, it was hillariously
badly done), but still good overall. |
84 |
Red Planet |
9 December 2000 |
65% |
|
Surprising |
Buy! |
I'd heard bad things about Red Planet, and maybe that lowered
my expectations, but really I thought it was quite good. Sure, there were
some dodgy bits of science, but it wasn't so outlandishly ridiculous as I'd
been lead to believe. I thought it was a pretty good story and quite
enjoyable. |
85 |
The 6th Day |
17 December 2000 |
75% |
|
Cloning |
Buy! |
The 6th Day is both a fun action movie with the inimitable
Arnie at the helm and a movie which presents some interesting ideas. What
if an evil corporate overlord could use human cloning (coupled with
stupidly unrealistic storage of minds, and absolutely ludicrous
idea of "genetic blanks", but suspend disbelief a bit for that!) to
to rule the world? If we stipulate the existence of such unlikely
technologies, we have an interesting situation where the evil henchmen
care more about their clothes than their body/life, since they can always
be restored as a clone. Ok, so the stipulation's a bit much, but it does
make you think a bit, and it's an enjoyable action flick too! |
86 |
The Family Man |
26 December 2000 |
85% |
|
Heart-warming |
Buy! |
The Family Man is a heart-warming tale about a man who
becomes an ultra-successful but cold-hearted mercenary b***ard investment
banker, president of an influential wall-street company. He completely
loses track of (if he ever knew) what's really important. Through a
magical turn of events, he goes on a journey of self-discovery and finds
out what's really important in life. It's not an easy road, and he falters
more than once, but in the end he realises that wealth and power are
irrelevant if you're not happy. He finally figures out (it takes him a
while; he's a bit thick! At times so much so that you want to beat some
sense into him) that love is what matters, not money... but is it too
late for him to do anything about it...? I love the sentiments and the
message of this movie, but then I'm an incurable romantic and a big
softie. Nicholas Cage and Téa Leoni are wonderful, and supported
by an excellent cast including the girl who plays his precocious young
daughter. |
87 |
Crouching Tiger, Hidden Dragon |
30 December 2000 |
90% |
|
Fantastic |
Buy! |
A Chinese fairy-tale-like story with amazing effects,
fantastic stylised fighting and wonderful cinematography. Chow Yun Fat
and Michelle Yeoh are excellent in the lead rôles. It is an epic
story, and a wonderful film. This is one film which you must see! |
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